Thursday, August 18, 2011

Art and Soul- Lin Onus


Today in our lecture we watched another film by Hetti Perkins called Art and Soul: dreams and Nightmares. The main aspect of this film that I was really taken away by was how Hetti was explaining about her father being apart of the Stolen generation. He was taken to camp with many other Aboriginal Children where Christianity was forced upon them and their Aboriginal heritage was frowned upon. It was from here that a lot of these children lost their tradition of who they were and the laws and beliefs of their country. We learnt about an artist who has reflected about losing his history in his work. Lin Onus is a Victorian born artist who grew up in a white community and was not allowed to pursue anything to do with Aboriginal culture at all. In his artworks he reflects upon the Indigenous culture that he never learnt and the tradition that was never brought down to him. Because of this, Onus’s work reflect a completely different style to that of stereotypical indigenous art. In his pieces, Onus has searched for traditional Aboriginal styles and stories and incorporated them with stereotypical White Australian references.

The artwork above is titled Fruit Bats (1991) by Lin Onus. this peice relfects the use of Traditioanl Aboringal references but also stereotypical white Australian influences such as the Australian hills Hoist.
Image from: http://www.artgallery.nsw.gov.au/work/395.1993.a-c/

Destiny Deacon

For our Tut today we had to do a reading on Destiny Deacon who we were introduced to in the Lecture. For those who don’t know anything about Destiny, here I a bit of information on her. Destiny Is an Aboriginal artist who specializes in series of Photographs reflecting the influence of the urban Australia on Indigenous Australians. Her photographs are usually crudely portrayed highlighting them as your run of the mill family photographs at mundane events such as holidays, birthdays etc. The main characters in these photographs are her black dolls, put into situations that make the viewer question the context of their nature.
In the tut we were asked the question would the viewer appreciate the work if they did not know the political ideas Deacon is referencing in her work?
After much thought I would have to agree that it would be incredibly hard to appreciate these pieces without knowing the context. To me they were just seem like crudely made photos of dolls that a child has made. But in saying this, I guess this is a reference to much of Contemporary artwork today. It is hard to appreciate with out knowing the context. However, to compare this form of Aboriginal art to that of traditional art were are somewhat expected to appreciate the traditional forms even without knowing what it is about. Something to ponder on…

Home and away featuring Hetti Perkins:

Today in my lecture we watched the remainder of the tv program Home and away, hosted by hetti Perkins. Hetti is an art curator and very enthusiastic about indigenous art as she herself is an Aboriginal person. In the film she takes us around Australia showing the many different styles of Aboriginal art, such as that of the Western desert at, the Northern Australian Art and that of Tasmanian Aboriginal Art. I was quite intrigued at the rock paintings in the northern Australia and the ancient stories that they told. To the people there, these stories are just as relevant and important as they were thousands of years ago as they are now.
I also learnt about the Pupunya art. These people were taken from their homes and taken to the Pupunya refugee area in the 1970’s. It was here that these people created drawings and art work reflecting the stories and longing to go back to their country and home.
We were also introduced to Destiny Deacon, a indigenous photographer who creates down to earth photos of black dolls in different situations. This reflects to me of the urban influence on Aboriginal people. This is quite a contrast from the rural work that I commonly associate with Aboriginal Art. However it could be quite hard to appreciate Deacons work if you did not know the context behind the works.

Saturday, August 6, 2011

Betty Pumani


Today i went to an exhibition as apart of the Sala festival at AP Bond Gallery. The artworks on display was by Artist Betty Pumani who is apart of the Mimili Maku Arts group. She has created a series of wonderful works which depict the country of her Mother's Milatjari's tjukurrpa. A Tjukurrpa is hard thing to describe but it has alot to do with a persons "dreaming"or ancestral descendants that have different meaning and story for each person.
Her works are colourful and include both modern and tradtional aspects and colour. I was quite impressed with the paintings and her representation of her country. They were very different to traditional western desert dot paintings but also had a hint of this style included.

Image from: http://tunbridgegallery.com,

Medium: Acrylic on Canvas

Size: 152 x 107 cm



Below is the Sala festival websites details of the exhibition. It is well worth a look.


Betty Pumani

Betty Pumani is Pitjantjatjara artist from Mimili Maku in South Australia’s APY Lands. Her superb paintings depict the country of her mother Milatjari’s tjukurrpa (dreaming).

Participating Artists

  • Betty Pumani

Collective Artist Group Name

Mimili Maku Arts

Artist Experience: Established

Category: Traditional (Realistic works)

Medium: Painting

Opening Night: 04 Aug 2011 6pm - 8pm

Exhibition Hours

Opening Date: 04 Aug 2011

Closing Date: 27 Aug 2011

Days of the week: Tuseday-Saturday

Opening Hours:
11am- 5 pm